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Hopefully, we'll at least see more of her in character roles. I doubt Bhumi Pednekar will get more leading roles in Hindi commercial cinema, which would be a terrible pity if true because you'd never guess this was the former assistant's first time in front of the camera. There is also great attention to detail of life in the Nineties – when you’d make mixed tapes, when cassettes slowly gave way to CDs when we had to connect our VCRs to the TV, open a video tape and blow on the tape to remove any dust. There are so many little commentaries on education, sex, weight, looks, women making the first move, insecurities between couples – there’s much to love in this film. But then you cut across to Sandhya’s educated family, where her father ticks her off for discussing whether or not she’s consummated her marriage. And there’s little shame in discussing whether you did it or not. This is life as most of India lives it – where newlyweds have sex two feet away from the rest of the family. When Prem finally does have sex, the mother wonders whether she should call and inform his sisters immediately or wait till morning. And Prem's parents and aunt’s involvement and tips, to help him consummate the marriage, are hilarious. The PE classes in the shakha gathering in the morning are hilarious for their earnestness. But it’s the dialogues, the little moments in the film like when Prem's mother faints upon receiving a divorce notice, when despite Sandhya’s charms he still can’t rise to occasion in bed, that make Dum Laga ke Haisha worth a watch. She's almost surprised when she realises that this, her body confidence, is what irks Prem.ĭum Laga ke Haisha is a feel good film and you pretty much know how it will end just by looking at its posters and watching the trailer. And one who is completely at ease with her weight, not understanding why it should be a cause for friction. Especially of Bhumi Pednekar, as the portly bride Sandhya. You don’t have a Deepika Padukone or an Anushka Sharma or a Shah Rukh Khan trying to pass off as the average, lower middle class or middle class person, with their perfect figures, well-toned bodies and colour-coordinated chiffon kurtas.
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Meanwhile, she simply wants him to love her - after all there’s no accounting for taste. The film – without giving away too much of the plot – is about how Prem simply cannot get himself to like his wife, no matter how lovely and friendly she tries to be. Sandhya does take a shine to him when the priest makes both families meet – but it’s what my grandmother would refer to as marrying “beneath her”. So the implication is that no one is agreeing to marry her, which is why she must marry Prem.
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Sandhya (Bhumi Pednekar), the bride-to-be, is from an “educated family” as a matrimonial ad would say, and seems much better off than Prem's family. His sisters are married and live elsewhere. Set in Haridwar in 1995, Khurrana is Prem, a young man who lives with his parents and bua. He is pressurised into marrying a woman who is pretty, has completed her B Ed, is fun and funky – but is double his weight and size. In Dum Laga Ke Haisha, Khurrana is shown as an average, fit young man who has never managed to clear his Class X exams. Which was a plausible paranoia for him to have. He then proceeds to believe that she can’t possibly love him and must be cuckolding him with her friend, the handsome and tall Kay Kay Menon. In the latter, Yadav played the not particularly good looking man, who gets married to a tall, slim and good looking woman. Not even a handful.ĭum Laga Ke Haisha actually turns a part of the storyline of Mein, Meri Patni Aur Woh on its head. And I remember the really delightful Main, Meri Patni Aur Woh, with Rajpal Yadav, Rituparna Sengupta and Kay Kay Menon. Yes, we had a Vicky Donor which was a slice of life film with enough laughs and just the right amount of tears. Films that I at least thought would never be made by today’s Bollywood. Scratch a Roadie, find a superlative actor? Ayushmann Khurrana has struck gold once again – this time with a film which takes you back to films like Jhoothi, Griha Pravesh and Chupke Chupke.